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Different skin tones call for different tattooing approaches. That can make things difficult on tattoo artists and their customers alike.

At the Sunday night ceremony, The Martian won for best motion picture, comedy, while The Revenant won in the drama category. Here is the full list of winners — and the fellow nominees they beat out.

In the latest Politically Speaking column, NPR Correspondent Peter Overby examines the latest controversy over Michael Moore's Fahrenheit 9/11 -- whether the hit film is subject to federal campaign rules.

The seventh season of 24 premieres this Sunday. Critic David Bianculli assesses the four-hour, two-night return of counterterrorist Jack Bauer — who's got some new allies, and some new enemies.

There were calls for the prime minister to resign following a report on parties his government threw when events like that were banned because of COVID. Johnson meets Tuesday with Ukraine's president.

The National Hockey League playoffs start Wednesday night, and the National Basketball Association playoffs begin Saturday. We run down the post-season picture for both sports.

The best soccer leagues in the world are in Europe and even Americans want to be good enough to play in them. Clint Dempsey accomplished that, playing in England's Premier League, but now he's coming home. In a move that surprised a lot of people, Dempsey has joined the Seattle Sounders. Audie Cornish talks to sportswriter Stefan Fatsis for more.

The omicron surge is derailing medical care for all kinds of patients. While it's hard to quantify, doctors say many patients are suffering because of canceled surgeries and clogged hospitals.

"Sixteen shots and a cover-up" was the rallying cry after a video showed a Chicago police officer killed a black teenager in 2014. On Thursday, Jason Van Dyke gets an early release from prison.

A full-on family brawl is the kind of fodder that makes for a good time at the movies, at least when all the elements are in place. Critic Ella Taylor reports that despite its A-list cast, Dennis Lee's high-octane melodrama doesn't quite catch fire.